A friend of mine surprised me several years ago when he told me that he didn't particularly care for The Beach Boys music.
That didn't compute for me.
The reason, he said, was that their music was mostly about surfing and the southern California lifestyle, things he couldn't really relate to in North Carolina.
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Brian Wilson |
The Beach Boys reached me in a different way. I loved their layered harmonies, catapulted by the shared DNA of the Wilson brothers: Brian, Dennis and Carl. Throw in cousin Mike Love and friend Al Jardine, and suddenly you might find yourself in the harmonic realm of the Everly Brothers.
I didn't particularly care what they sang about – cars, girls, high school – it just sounded good. Heck, the music was so enticing that I actually wanted to go to southern California just to see what all the excitement was about.
As I grew older, I learned that Brian Wilson was the core genius of the California Sound the group produced, although each of the members made their own significant contributions. And as books and movies appeared, I was astonished to learn that Brian was the product of an abusive and controlling father. It was this abuse, said Wilson, that contributed to the mental illness that prevented him from touring with the group after 1964.
I didn't clearly realize it at the time, but The Beach Boys were running through the music charts concurrently with The Beatles in something of a friendly, unofficial competition.
In one of the stories that I like to read about, Wilson was stunned by the mastery The Beatles produced with Rubber Soul, a mostly acoustic pop music game-changer that came out in 1965 with many of the tunes inspired by work of Bob Dylan.
Wilson, in response, countered with a masterpiece in 1966, Pet Sounds, featuring such tunes as "Wouldn't It Be Nice", "Caroline No", "Sloop John B" (a remake of an old Bahamian folk song going back to 1916. Pete Seeger and the Weavers covered in in the 1950s) and "God Only Knows".
Wow.
When Paul McCartney of The Beatles heard Pet Sounds, he reportedly cried after repeated listenings. And so was born Sgt. Pepper's Lonely Hearts Club Band as a response in 1967, yet another pop music game changer.
For those of us who lived it, we were awash in spectacular music.
Wilson's genius was not only in his songwriting and arranging, but also in his studio work. "Good Vibrations", written by Love, features an odd sounding electro-theremin, and Wilson's modular recording style, which splices together takes from different sessions, which was unusual at the time.
Wilson passed away Tuesday at the age of 82. There is a void out there now, I think. The passing of the hallmarks of my youth reminds me of my own approaching mortality. God only knows.